The temple of Aphrodite-Astarte stood outside the gates of the town, in an immense park, full of flowers and shade. The Nile water, conveyed by seven aqueducts, induced an extraordinary verdure all the year round.
The gardens were more than a valley, more than a country; they were a complete world enclosed by bounds of stone and governed by a goddess, the soul and centre of this universe. All around it stood a circular terrace, eighty stades long and thirty-two feet high. This was not a wall, it was a colossal “cité,” composed of fourteen hundred houses. A corresponding number of prostitutes inhabited this sacred town, and in this unique spot were represented seventy different nationalities.
The plan of the sacred houses was uniform and as follows: the door, of red copper (a metal consecrated to the goddess), bore a phallos-shaped knocker which fell upon a receiving-plate in relief, the image of the cteis; and beneath was graved the courtesan’s name, with the initials of the usual formula:…….(Ancient Manners; Also Known As Aphrodite / Louÿs, Pierre)
Posted in Ancient Erotic Art, Aphrodite and Beauty, Divine Love, Erotic Literature, Erotic Symbolism in Ancient Art, Eroticism, Goddess of Beauty, Goddess of Desire, Goddess of Love, Goddess of ttraction, Love and Desire in Mythology, Romantic Deities
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